I bought a $20 iTunes card for the first time last night. I announced to the clerks at the 7-Eleven, "This is going to be the first time I am going to purchase some MP3s legitimately, I must be getting old". This was welcomed by some laughter by a guy who must have been around 19. I'm sure he's never bothered to pay either. Truth is, there is a lot of music I can't even find by illegitimate means and I am curious if spending the cash will yield any better results. I uninstalled iTunes a year ago because as much as I like my iPod, I sure don't like Apple's software very much. After I back my iPod's data up on my external hard drive (presumably later tonight if I don't get too lazy) I'll reinstall that cumbersome beast back onto my computer and try it out. The problem is, while iTunes is billed as the world's largest music store, I don't have access to music outside of North America. The record companies keep iTunes separated by countries and so if I want music from Japan (surprise surprise) I need a Japanese iTunes card. I don't think I have to explain why this is stupid from a consumer's perspective. Record companies want me to buy music as opposed to steal it, but offer me no legitimate means by which to acquire the stuff I want. I know my musical tastes are a little fringe but I don't see why making music they already have available to everyone could really hurt their bottom line. I will certainly try this whole buying music online thing out before I rush to judgment and will give you my perspective in my next entry.
When David Byrne is cruising down the streets of LA in his all-too-sensible sports car while sipping on some Gin and San P, what is he blasting on his stereo? Probably today's entry. "I Don't Wanna Be with You" by the Zazen Boys continues where the relatively unpopular third album, "III" leaves off. This song is the first single for the upcoming album so while it does set the tone for the new album, previous efforts would show it doesn't necessarily mean the band hasn't got any more surprises up their collective sleeves. Audience reactions range from "It's all down hill from here on out. :(" and "Fuck you, Mukai." to "Zazen Boys has only ever taken steps in the right direction. This song is hilariously awesome." I, for one lean towards the latter sentiment.
I was never a fan of Mukai Shutoku's first and extremely popular band, Number Girl. It always played off as pretentious and a bit too academic for my liking. Honestly, I would likely have a different opinion if I had been in Japan when they were still together. Mukai must also feel a little like I do and the best way he can deal with it is by putting together a band that (recently) is so over the top pretentious that it's become kinda cool. This is by no means a silly band, they are as earnest as ever but seem aware of how it may be perceived by a younger, more cynical audience. The video is so over the top with it's seriousness that it becomes critical of itself and the result is pretty funny and pretty awesome too. I am looking forward to seeing what else Zazen will come up with on their upcoming album release, a release that I likely will never find on the North American iTunes site.
Switching tracks from a predominantly Japanese month, I have decided to look at one of the most haunting voices I have ever heard. A voice I heard for the first time today courtesy of CBC 2's best radio program, by which I mean Brave New Waves. This program which runs every weekday from midnight until 3 am features the most interesting, engaging and potentially life-changing music you ever liable to hear off our waves of air. Luckily, when on evening shift, I finish work just in time to enjoy our country's finest program. I only hope I don't crash my car trying to write down all the musical leads I get as I listen.
Today's entry is Argentina's Juana Molina. Once a well established sketch comedian Molina decided to change career paths after the birth of her first child. At concerts after the release of her first album people were more interested in seeing her do characters from her television programs than hear her sing. By the end of a concert only a handful of people were left. Fortunetly, she didn't five up her dream and ten years later people who come to her shows will often tell her that their parents were fans of her comedic work. It just goes to show that is really is possible to switch gears in the middle of a successful career. She credits Uruguay as a major influence in her music and is even tauted as modern voice for their music. She has toured with the likes of David Byrne all over the world.
I hate to use the lame cliches like tapestry of sound but that most appropriately describes her approach to the musical riddle. It's not so much about a guitar or a drum but the way the instruments are woven together in such a way that it's all one grand measure of sound. Reviews tell me that the lyrics are deeply personal and add another layer of depth to the mix, so it's a shame I can't understand them. Today's track is from her latest album released in 2004 entitled 'Tres Cosas'. The whole album is light and breezy, often embellished with ambient electronic sounds that make this a truly acoustic electronic album. What's more, she does all this herself. You can get the mp3 here or visit her website for this and many other songs.
When I was in my first year of high school I discovered SCTV. I loved it. Every night at 11pm (or Thursday Nights at 9 if you are a fan) on Channel 9 CKND, I would watch 30 minutes of pure Canadian comic genius. A lot of big players too, John Candy, Andrea Martin, Katherine O'Hara, Dave Thomas, Martin Short, Rick Moranis, Eugene Levy, Joe Flaherty, and Harold Ramis. SCTV was in principle the story of a perpetually failing television station with no budget, stars or talent. Of course in reality it had all of the above but they had a lot of fun making it look otherwise. But because this is a music blog I will draw attention to one particular semi-regular segment, The Gerry Todd show. Veejay Gerry Todd (Rick Moranis) welcomes Talking Heads and The Plastics to his high-tech variety show 'Midnight Video Special' - only to be defeated by an attack of superior technology from Japanese entrepreneur Tim Ishimuni (Dave Thomas). Plastics videos seem impossible to find or I would show one today, but of course Talking Heads videos are another matter. When I first saw the 'Once in a Lifetime' video on SCTV I was in awe of its - well, awesomeness.
To promise a series of New Wave videos and not show anything by the New York based Talking Heads would be unforgivable. I know maybe most people wouldn't group the band in such a tightly packaged genre but we have all the token traits. Synths, confused-sounding vocalist, more chroma keying than you can shake a stick at, Rugrats inspired haircut, seizure dancing, horned glasses, and a freaking bow tie. This ladies and gentlemen is New Wave.
A Talking Head is term used in cinema to describe a head and shoulders shot of a person on screen who carries dialog. Essentially all talk and no action. The band found this description in a TV Guide and thought it suited them perfectly. 'Remain in Light' was released in 1980 and 'Once in Lifetime' was the album's big single. Only the single didn't get any radio play. Music videos were becoming the next big thing at the time and when packaged with visuals the song suddenly became an overnight success. A well deserved one I might add. David Byrne, the group's singer is as interesting to watch as he is to listen too. A live version of the song has become pretty popular over time as well. Byrne looks like some Sunday School teacher who has accidentally stumbled onto the stage and decides to wing it in hopes of saving face. Really funny to watch.
There is nothing in life I enjoy more
than music. Like Tower Records says,
No Music No Life. This blog is dedicated
to the music that makes me smile.
I hope you’ll like it too!
The picture of me is by my awesome
sister, Kelly! It makes me smile a lot!
I bought a $20 iTunes card for the first time last night. I announced to the clerks at the 7-Eleven, "This is going to be the first time I am going to purchase some MP3s legitimately, I must be getting old". This was welcomed by some laughter by a guy who must have been around 19. I'm sure he's never bothered to pay either. Truth is, there is a lot of music I can't even find by illegitimate means and I am curious if spending the cash will yield any better results. I uninstalled iTunes a year ago because as much as I like my iPod, I sure don't like Apple's software very much. After I back my iPod's data up on my external hard drive (presumably later tonight if I don't get too lazy) I'll reinstall that cumbersome beast back onto my computer and try it out. The problem is, while iTunes is billed as the world's largest music store, I don't have access to music outside of North America. The record companies keep iTunes separated by countries and so if I want music from Japan (surprise surprise) I need a Japanese iTunes card. I don't think I have to explain why this is stupid from a consumer's perspective. Record companies want me to buy music as opposed to steal it, but offer me no legitimate means by which to acquire the stuff I want. I know my musical tastes are a little fringe but I don't see why making music they already have available to everyone could really hurt their bottom line. I will certainly try this whole buying music online thing out before I rush to judgment and will give you my perspective in my next entry.
When David Byrne is cruising down the streets of LA in his all-too-sensible sports car while sipping on some Gin and San P, what is he blasting on his stereo? Probably today's entry. "I Don't Wanna Be with You" by the Zazen Boys continues where the relatively unpopular third album, "III" leaves off. This song is the first single for the upcoming album so while it does set the tone for the new album, previous efforts would show it doesn't necessarily mean the band hasn't got any more surprises up their collective sleeves. Audience reactions range from "It's all down hill from here on out. :(" and "Fuck you, Mukai." to "Zazen Boys has only ever taken steps in the right direction. This song is hilariously awesome." I, for one lean towards the latter sentiment.
I was never a fan of Mukai Shutoku's first and extremely popular band, Number Girl. It always played off as pretentious and a bit too academic for my liking. Honestly, I would likely have a different opinion if I had been in Japan when they were still together. Mukai must also feel a little like I do and the best way he can deal with it is by putting together a band that (recently) is so over the top pretentious that it's become kinda cool. This is by no means a silly band, they are as earnest as ever but seem aware of how it may be perceived by a younger, more cynical audience. The video is so over the top with it's seriousness that it becomes critical of itself and the result is pretty funny and pretty awesome too. I am looking forward to seeing what else Zazen will come up with on their upcoming album release, a release that I likely will never find on the North American iTunes site.
