Showing posts with label Lullatone. Show all posts
Showing posts with label Lullatone. Show all posts

Saturday, November 25, 2006

Lullatone - Little Songs About Raindrops

I have always loved cute things. It's one of the things that initially attracted me to Japan - it's pretty freaking cute. Out in North America being cute draws parallels to being weak. I am weak. Most of us are. So screw you if you can't handle my choice to rock out like Hello Kitty every once in a while.

Self-proclaimed pajama pop duo Lullatone does just that. I expect they are pretty big fans of Gus Gus's Sleepytime album. But where Gus Gus puts you most pleasantly to sleep, Lullatone's latest is surprisingly uplifting with it's quiet beats and toy orchestra. Many bands use toy instruments these days, they're even in the forefront of the new college rock inspired (and surprisingly fun) Tragically Hip album. Toys can make some pretty cool sounds and a lot of lame ones as well because they're, well, toys.

Lullatone hails
from Nagoya which is probably most famous for it's red light district in Sakae, a place I can say I had the awkward opportunity to experience. It's also famous in smaller way for it's indie post rock scene which I have also experienced first hand. Both make the Kansai/Kanto border city a worthy place to visit. Lullatone consists of Shawn James Seymour and Yoshimi Tomida. They say their influences consist of daydreaming and humming in the bathtub which I can relate to as I do both to excess. Despite the fact their website is in English there isn't much information on them although they do have separate labels both in Japan and in America. Both labels' sites generously provide samples of their artists work and are worth checking out.

The video created by the duo features some homegrown stop-motion animation. It would be easy enough these days to take a more hands-off approach using consumer friendly flash to create a slick finished product but I like their choice in making the process more transparent. You can see their shadows in the shots as they reposition each frame. It's a signature that really makes the work feel more intimate and brings the viewer into the piece. It's cute, it's friendly and it's little like songs about raindrops should be.

Oh, and they really do rock out like Hello Kitty.


Thursday, November 16, 2006

ASANA - Across The River (Tanaka Akira Cocharo Mix)/Le Le

I hate a lot of things about my job. I have bad hours that (these last two weeks) make me get up at 4:45 or earlier. I am under the constant threat of having to go downstairs and work in the packing area which means manual labour and worse than that, an unrelenting boredom. This week I've been luck so far, I've actually been doing what they hired me for which is creating covers for books while listening to my iPod. Those things make me very happy. Today's video(s!!) are the result of my week's listening. Today's artist has made a daily contribution to my productivity. Another one of Japan's great exports, Asana.

I first heard Asana the same way I've first heard many great Japanese artists, at a listening booth in the best music shop on Earth, Osaka's Amemura Tower Records. A lot of snobs might want to claim that the smaller side shops (of which there are many) better cater to their specifics tastes, but only that Tower could offer such a wide range of music that consistently suited me. If you are ever in Osaka's American Village I HIGHLY recommend dedicating a few hours to the listening booths. It's a virtual box of chocolates, maan. The disc I heard was the 2005 'Split' EP between Asana and Akira Tanaka.

Initially I was seduced by Tanaka's electronic beats but was eventually won over by Asana's organic meanderings. What really does it for me with this guy is no matter where you start off and where you are taken through to the middle of the song you know you are home by the third act. It's really magical and makes me so fuckin' happy every time. My co-workers catch me dancing in my seat all the time.
Here is what one website had to say about Asana's first (and possibly my favorite) CD:

'Inspired by the sounds of insects and frogs encountered on a trip to Bali, Yusuke Asano started the organic post rock project Asana in 2002. As can be imagined by this origin, Asana's compositions flow with an exotic ambience accented beautifully by the use of various instruments such as: jambe, gamelan, kalimba, ukulele, sitar, trumpet and analogue synthesizers... all used to push the keys and pluck the strings of audiences' hearts worldwide. Asana's debut album "Kupu Kupu" was released by the Japanese label Stiff Slack in 2002. The album has proved to be a long time seller, not only in record stores, but also in cafes, design goods stores, and select furniture shops.'

That pretty much says it all - heart strings and furniture shops. If that sounds strange to you than you've never been to Japan. Yusuke Asano's favorite bands reads like my iPod tracklist, minus my Hank III album but that's another blog entry. Check out Asana's
MySpace page to sample some of this artists wonderful tracks. My biggest Asana related regret was not picking up his latest CD, LeLe before coming back to Canada. Oh well, I guess there's always SoulSeek.

Today is a first for my blog I have posted no one, but two Asana videos. The first is Across the River remixed by Akira Tanaka of Asana's Ina Ipa which features remixes of his first album. The second is a live performance in Taiwan together with Lullatone which shows how those wonderful sounds are made.