Pato Fu - 30.000 Pés / UA - Love Scene

No!!! This blog is not dead! I swear. I have been busy with preparing a new portfolio. It seems that every six months or so I make a new portfolio for some fancy art school and it kills my blogging for the duration. But many of you people have been suggesting awesome music for me to check out and I have to say you are all on point. Most of the music I have on my iPod is a direct result of reader feedback. I love you guys, you have made my days at work so much richer (I can iPod it all day long at work if I waan). I would like to dedicate this post to Nyuudo. He has some great taste in music and has introduced me to all kinds of music from Chile, Brazil, Spain and France.

Pato Fu is from Brazil and is so good it makes me want to learn Portuguese. It's hip and soulful, fresh and diverse. I just purchased "Daqui Pro Futuro" which was released in fall last year and I find myself listening to it almost every day. I dare say it might be the overall best album I have heard in 2007, likely tied with UA's comeback album Golden Green. I wouldn't likely even have known the name Pata Fu if it wasn't for Nyuudo. Pata Fu is Brazilian for "Duck Fu" which seems to further solidify evidence of my love for any music involving ducks. There is of course a Japanese connection to all this. The lead singer is Fernanda Takai, who happens to be half-Japanese. While living in Japan I learned there is a strong Brazilian community in Japan. Japan and Brazil go way back in terms of trade and over the years both countries have been quite friendly with each other. I wont lie, I always thought the Brazilians in Japan were a little scary but after hearing all the cool music they come out with I think I had them pegged wrong. I regret not making a Brazilian friend or two when I had the chance.



UA's Golden Green is another album I can't seem to put down. UA is one of the first Japanese artists I can say I really got into. One of my goals in life was to see her in concert and I did. Another one of my goals was to collect her entire collection of old 8cm mini-CDs and I got pretty close. UA was on fire for quite a few years but like any self-respecting artist, began to experiment with her sound and released around three albums that were less pop and more like improv Jazz experimentations. I have them but they just don't resonate with me the way her earlier albums did. Then out comes Golden Green and I couldn't expect very much. I even thought twice about even bothering with this new disc, but I am sure glad I did. Golden Green could not exist today if UA hadn't taken some time off of her pop shtick and played around. Golden Green in many respects it the culmination of all that is UA. Out of the 12 or so songs I'd say half of them are perfect. Perfect music. Not a moment, ne'er a split atomic second is wrong. This shit's so smooth, it makes Barry White sound like a jack hammer. I want to call it pop... or jazz, but it's both and it's neither. This album should be in stores in Canada. It needs to be heard. Golden Green isn't as consistent as Daqui Pro Futuro but when it's on, it's like nothing you've ever heard. Honestly, I would have made the entire album 6 tracks and created the perfect extended EP. I love UA, and this album makes it clear why I do.



I hope I get more articles posted in a short time, I have so much to share. But I also have this nagging portfolio to finish. I will try to make time for both.

And for porno.

Miceteeth - 霧の中 (Kiri no Naka) - In the Fog (trans.)

It may surprise you to find out my favorite music in Japan was the traditional ska/rocksteady/dub scene. I must have gone to every Osaka Skankin' Night both in Osaka and Kobe for over two years and my favorite overall band I saw was the Miceteeth.

Long before I ever attended my first Skankin' Night, I found the Miceteeth's Kiri no Naka, their first CD single, at the Shinsaibashi Tsutaya Megastore. I have long learned to trust my instincts when it comes to trying random discs. Something about the Kiri no Naka single begged to be listened to and I'm glad I did or I may never have found this wonderful little group. As far as little groups go this one is pretty big sporting a ten piece band. Drummer and band leader Bondo Tsuji has lead the band to become masters of the essential ska vocabulary of chugging, syncopated proto-reggae rhythms and melodic horn parts, while at the same time nodding to the J-pop market in the form of singer Taisuke Tsugimatsu's sweetly delivered Japanese lyrics. Miceteeth have collaborated with many heavyweights such as Hakase-Sun, UA and most recently Bonnie Pink as well as a whole slew of Jamaican superstars.

I had a chance to meet the band in Kobe during one of my visits to Osaka Skankin' Night. I met Bondo who happens to speak perfect English which made it much easier to tell him and and the band exactly how much I loved them. As I expected, they were all pretty shocked and pleasantly surprised when I whipped out my iPod and showed them I had all their tracks. Then he promised me he had something new for that concert which I would soon discover was their new single (at the time), Sleep on Steps.

Today's track is true to many people's lives in Japan, finding small joys in the immense fog of despair. I know I felt this way on many occasions while living there. There is something so wrong about being surrounded by so many only to realize you are completely alone. This is a beautifully sorrowful track that accepts its own fate. I hope it proves a departure from the Emo preteen angst so forcefully marketed on the masses in North America. Adults get sad too sometimes.

UA - Uncountable Footsteps of the Night (trans.)

I love UA. Simple as that. I was lucky enough to see her at the same concert festival I saw Polysics. She's one of the first Japanese artists I really got into (that award goes to Chara which I'll save for another entry). My job at the time was pretty light so I had plenty of time to download music and listen in our office. My co-worker told me if I like Chara then I should check out UA. I did and she was right!

I began collecting every UA CD I could find and now have a large collection of her work including Japanese 8cm CD singles. Those 8cm CD's were discontinued around 2000 and I'll say few have withstood the test of time musically as well as hers have. Many a time I found myself wondering the streets of Japan listening to her powerful voice.

UA was born Kaori Murakami, which means both flower and kill in Swahili. She grew up in Osaka. After she graduated from Saga Art College in Kyoto, she began singing at jazz lounge in Osaka. Someone took notice and before long she released her debut CD. Over the twelve years since her debut UA's music has matured from intelligent pop to something more abstract, jazzy and experimental.

The single, Uncountable Footsteps of the Night or Kazoe Tarinai Yoru No Ashioto, in Japanese, was released in 1999 on the album Turbo. It is representative of UA at the height of her popularity. The video is pretty cool too. I'm not a huge fan of hoodies but UA can really work it. I just like how smooth the whole operation is. The music is pretty spot on and really makes me want to know more Japanese.

UA at her worst is Bjork at her best.