Showing posts with label hip-hop. Show all posts
Showing posts with label hip-hop. Show all posts

Wednesday, February 07, 2007

HALCALI - Girigiri Surfrider / Strawberry Chips (Tanaka Chigai Mix)

Last night I had a dream I was back in Japan teaching English in some massive school. This isn't the first time I've had a version of this dream. Part teacher, part student and usually a bit disoriented I generally wander from class to class pretending like I know what I am doing. I guess that's not too far from the truth in my past experiences. Over four years of this, you get pretty good at faking it. In one of my past dreams I found myself trying to walk up a flight of stairs. These stairs seem typical at first but as I begin to ascend everything becomes wrong. This feeling of vertigo takes over and they begin to feel too steep and suddenly too shallow and back again. They seem narrow and unwielding going on forever almost disappearing from underneath my feet. I struggle as the fabric of reality seems to be closing in on me and almost crawling, with my last breath make to the top... or the bottom. Too much has been lost in time to figure where I am but at least I'm there. Last night, in my school I knew once again, for me to make it to the class I'm supposed to be at, I'd have to traverse those steps again. This time, however I have a plan. The school is so unimaginably huge that I can use my powers as a stupid gaijin to avoid them altogether. I stumble into what turned out to be another English class filled with senior students. I take a seat at one of the desks and find out that the students are starting a project in which they are to write a short story. My mind wanders only to realize that the bell has already rung and I woke up.

On some innocent level, I suppose that influenced my decision to highlight one of Japan's more interesting teen duos, Halcali. Halcali arrived on the scene as the winners of a competition put on by the members of Rip Slyme, a well known Japanese Hip Hop group. When the tweens first entered the contest, they claimed they didn't even know what Hip Hop was. The name Halcali comes from the combination of the names of the two members. The stage names of HARUKA (はるか) and YUKARI (ゆかり) are combined to form the collective name. Rip Slyme, picked them from talent competitions held around Meguro (the girls' hometown) area in search of creating a new manufactured group. A trend I have noticed in the naming of many Japanese bands is the choice to use a name that cannot be said correctly in Japanese. Halcali is usually pronounced as "Haru-kari" by the masses.

The resulting 2003 album BACON was certainly a step above your typical manufactured fare. The production of that first album is full of a mixture of cute, catchy, eccentric and the downright weird - all while never straying to far from the rap stylings of these two young girls, one still in Junior High and the other just beginning High School. Their rhymes are pretty fresh referencing everyone from Al Pacino (multiple times) to Dragon Ball to Slick Rick. Unfortunately, future releases have failed to recapture the sounds of youth that made the first album such a joy to listen to. The second release suffered as each track was produced by a different artist and the resulting lack of cohesivenesses becomes kind of grating after a while. All the singles released since also suffer from a lack of the signature Halcal sound. I was hoping for something of a Cibo Matto part II by now but am beginning to think I'll have to settle for a watered down version of Yuki. While that's not entirely a bad thing, it's not nearly as interesting as the path I would have chosen. For literal day by day updates on the group in English check the amazing HALCALI day by day blog.

The time I heard about this group was when I went to The Kirin Plaza Art Gallery and saw an exhibit on "Important Japanese Pop Music". I forget the real name of the exhibit or if it even really had one but that was the gist. The first two floors were composed entirely of the history of YMO (Yellow Magic Orchestra). It was very cool and I like that band well enough but walking into the third floor gallery was like a wet dream for me (I went three times). It was full of DVD stations where one could sit down and listen to the music as chosen by the curators. Yes, in a country like Japan, a manufactured tween hip hop group is art. Fuck, I miss it. Please enjoy the first (and best) Halcali video I ever saw.

Below that is something I just saw a couple of days ago for the first time. It's a Mash up of the groups song "Strawberry Chips" from their second album along with elements of the first album by Tanaka Chigai. It's weird weird weird. Weirder still, I think it might be an official remix. Google doesn't seem to recognize the existence of Chigai outside this remix, so I guess he's relatively new, if he even exists at all. One commenter on YouTube simply used the word "orgasmic" to describe this video. I hip hope you agree.



Saturday, September 09, 2006

NEL HATE (Aka. Paranel) - Ee-Mu Remix Album

No video today, but I have a free album for you to download! Many Japanese people have told me that there is not much of an underground hip hop scene in Japan. As an outsider that doesn't limit himself to any particular genre, I was very curious to find what allegedly could not be found.

Nel Hate was introduced to me by a German friend, Moorieman, who has never been to Japan and despite all my efforts knows more about Japanese music than I ever will. Moorieman is my god and the reason why file sharing is not onl
y a good thing but vital to the music industry.

A short review of Nel Hate's full-length debute CD, Dobutsutachi No Ensoukai (Concert of Animals), can be found at SeekJapan. Don't let the Sam & Dave banner ads fool you, this site reviews some of Japan's more interesting, obscure bands, its worth a look. Paranel, in true independent hip-hop fashion, also does all the artwork for the albums. He also seems to try to integrate live painting at his performances. As compelling as some of his images are, it seems to run the risk of being overly art-faggy at a hip hop show. This is more of a side than a real criticism because I haven't personally seen him live.

The remixes done by Ee-mu, are taken from all four of Nel Hates major album releases. In most cases, the original mixes are more suited to Paranel's lyrical styling and off-key whining but that doesn't mean that this disc is a miss. The Red remix of "CAVE" is pretty funny if not cool and the Ee-Mu's take on "LIGHTS" is pretty fresh. While most of these mixes are purposely loose, they often come off sounding ill-timed and amateurish. That may be all good in the land of the Japanese basement jack. I don't think I'd count this remix album amongst my favorite Nel Hate efforts but it is kind of interesting especially if you are familiar with the original tracks. I like it when bands release special internet only remix albums. It acknowledges the fact that much of the material is possibly below release quality but gives hardcore fans something special to tide them over until the next official release. For that alone I'd be willing to give this disc a solid C++.

Click here to download the album.

For more of the undergrounds sounds check the music samples of Nel Hate and friends at this site.